Into the Woods is a local production of Stephen Sondheim’s award winning broadway musical – a brew of bedtime fairytales with a slight twist. Brassy and brazen Little Red Riding Hood meets a dim-witted Jack from Jack & the Beanstalk meets a Cinderella who divorced her Prince Charming.
Directed by Glen Goei, the musical claims to feature Singapore’s best and most stellar cast of actors: Selena Tan, Adrian Pang, Emma Yong, Sebastian Tan and Denise Tan. Indeed, the show which lasted three hours, was performed smoothly without a glitch. It starts off exciting the audience with its enchanting music, cosplay-goth-inspired stage costumes and a plot that unfolds as you expect it to in the original fairytales.
It leads to intermission where the audience is almost misled to think it is where it ends because of a celebratory finale of small victories – the wolf has been killed, the baker breaks an evil spell and Cinderella weds a prince. However the show unexpectedly continues in a slightly dark and sinister quality where conflict of morals and relationships builds tension and suspense. As the musical continues in being unpredictable, some characters are even killed off.
Of course as with all fairytales, there must be a conclusive “Happily Ever After”. And so it is too for the audience – an enthusiastic, shining cast who refreshes and lights up the stage with wit, humor, colour and melody and promises a delightful night out.
Into the Woods by Dream Academy
29 July – 7 August at the Esplanade Theatre
$118, $108, $88, $68, $58 & $48
Buy tickets from SISTIC
Hotline: 6348 5555
I went to the Lion King Musical at Marina Bay Sands last evening in two minds. One expecting to be wow-ed, the other really skeptical about how a musical can deliver the endearment that the Disney cartoon did. I grew up with the Lion King. I know all their songs by heart and crooned to them in the shower. I played Hakkuna Matata games on sega saturn consoles. It’s going to be difficult for any reproduction to ignite the same feelings of tender affection I had for the original cartoon.
But the show started with a bang. In only a few minutes, the performers – in the most inventive and amazing animal outfits – managed to whoop up the excitement and spirit ala Mardi Gras. They came from all ends of the theatre to fill the stage, and the audience was treated to a resplendent display of zebras, leaping gazelles, an elephant, birds swooping overhead and even a rhinoceros! The cheetah is a puppet glove worn by a lady who moves with the lithe and grace of someone’s who is one with the animal she’s controlling. At that point I remember I had wished for three more pairs of eyes to fully absorb the details and movements of the parade on stage, but alas it’s over as quickly as it started.
The musical continues to astound with the vocals, stage props, choreography and costumes. I thought Pumba, Timon and Zazu were positively shining performances. The hyenas were absolutely believable – I forgot more than once that these were actually people in costume. The cast was so professional and enthusiastic it felt as though were doing the performance for the first time.
They didn’t deviate much from the original cartoon, delivering almost every tune with out a glitch. My partner particularly loved the energy of young Simba. He was impressed at how well-adjusted and well-rehearsed the boy was on stage. And that must mean a lot, because his favourite character in the cartoon is Simba as well.
I had bought the tickets (C class reserve) more six weeks ago. The C-class reserve seats cover a selection from a wide area. If I paid the same price for my tickets six weeks ago, I would have sat multiple rows behind and in a far less central seat. But my view was perfect and unobstructed. Just a word of advice – if you’re going to book tickets, since they have now extended the show to early September, make sure you book them in advance! http://thelionking.com.sg/
Just to remind you of the Lion King Magic, maybe start with an old Disney clip: